With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
喜欢胖达！看习惯了日本动漫终于能够微笑面对永远都很creepy的男女主关系了。
虽然看过漫画，但还是被惊艳了一下。演出上几乎挑不出毛病，寥寥几笔，就勾勒出一个充满魅力的四人组（还有夏油），相比之下本篇的三人组都要黯然失色。片尾有彩蛋，大概是说纯爱战神回归主线？
很失望，碇真嗣类男主依旧让人着迷，但是剧情的混乱已经不是人设可以包住的了。咒术离神太远。
村里上映都满场的程度 还用多说嘛！大背头狗卷前辈好帅呜呜呜 good looking guy五条悟绷带眼罩也苏到爆炸🤤🤤
果然还是喜欢二年組远胜过一年組，一年組太爱不起来了。棘太可爱了。パンダ被捅穿了竟然会漏棉花。
除了纯爱战神的宣言有点中二以外，乙骨忧太好帅啊。比虎杖拿的更像主角剧本。
怎么说呢，我对这种故事有点麻木了，但观感在平均线之上。
二刺螈烫番真的不行，世上怎会有口口几这么乏味的东西，随便几个人设嵌进去，他就是纯爱战神啦，他俩就有了爱情，突然咱们必须来一场混乱的光污染打斗，打完顺便莫名其妙表个白，嗯，口口几姐表示非常满意，继续上升声优整天发没完没了的癫
为了社交活动看的。看了三集动漫然后去看的电影。就感觉还行吧，不是很喜欢动漫的这种感觉，总觉得热血的莫名其妙，虽然确实有被一些美女辣到。最不开心的是熊猫莫名其妙开maki胸玩笑的那段，有必要吗，男人……
干脆叫真希波同学吧，很平稳，剧情也没啥复杂的
打得挺好看 以及 原来夏油是二刺猿格林迪沃
这可真是青春纯爱了哈哈哈哈，节奏走的有点快，熊猫真是最最最可爱了
从评价电影的角度来看，本片已经很不错了。特效精彩，情节紧凑，每个人物都有塑造（特别是狗卷棘我真的爱）。但我记得看时给我最大的感受就是节奏太快了，整部剧情就是很简单的从一个新生角度来拍，从入学的陌生，到破冰，到最后一起打团，剧情本来就够简单了，我认为可以多些铺垫，多拍一点。当然，漫画拍成电影拍成这样已经很成功了。其实这些都不是减一星的原因，重点是我不太喜欢忧太这个主角，在学校里撩真希，打架了就要靠里香，尤其是最后来一句“我们是纯爱”，真的很无语。我还是习惯看虎杖他们那条线，这是真的。剧中五条悟有一句话给了我很多思考：“我认为这世上没有比爱更扭曲的诅咒了。”后来再回想起来，就更不喜欢本剧主角了。不得不说的是五条悟和夏油杰那条线，很精彩很感人，就是拍的太短了，完全可以再展开一点，观众绝对爱看。
「真是失禮，我們可是純愛」純愛戰士比想像中的還要好看。
草！真纯爱战神。。。男主这设定还有cv，可忒有内味了！！！好几度都能想到真嗣。。。绪方惠美役这类角色简直绝了！！！打戏部分很不错，就是纯爱核爆那段属实给咱逗乐了～～～你个玩弄感情的xdz～哼～人家这是纯爱嗷～～～目测第二季里会成为主力扛把子～～～
大腿长满眼睛那一幕太恶心了，引起极其强烈的不适！！！
开场还是很友好的，各种解释性的叙事，期间能看到好多日漫的元素，尤其是幽游白书。随着人物逐渐的增多，就知道是在为粉丝们考虑了，有些人物的出现对于我这种初来乍到的人来说实在是太突然太无用了，整体观感不如鬼灭之刃的无限列车。
打斗好看。但我好像已经过了会喜欢这样剧情的年纪了（悲哀中年人口吻
看完突然觉得0的漫画剧情不适合改编成电影，电影展现的情节太细碎，带来的影响就是每一段战斗场面表现效果都不如几年前的fate stay night电影。 当然，画面基本达到了院线动画的最高级。
节奏把握的好，再俗套也能满足电影的第一需求娱乐！
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