The break-up is almost complete: Hannah and Julian meet one more time to hand over their apartment, which they hope will be quick and painless. No such luck, though: The hand-over flops and the two arguing exes are stuck together on New Year's Eve, of all days, after not speaking to each other for weeks. They're long overdue at their friends' party, where they wanted to put in one final appearance together. Seven years ago, Hannah and Julian met while looking for an apartment and became reluctant roommates. She's a career-oriented law student, he's a photographer who lives for the moment. She's always got everything planned out, he never does. The two roommates became an odd but loving couple. While Julian compromises professionally, Hannah climbs the career ladder. Then they started to grow apart and spend their time with other people. At the very low point of their relationship, an unsolved conflict from the past suddenly resurfaces and calles everything into doubt.
真的太喜欢这种完全靠情节，表演烘托的室内戏了，强烈建议翻拍一版武侠的
Mark Rylance的台词太舒服了。话剧感浓厚，单一场景里飙戏也高潮迭起。
英伦，绅士，西装，犯罪。懂了这是Kingsman
Mark Rylance好强，作为单场景悬疑片剧本还是挺强的，最后结尾的反转其实没什么必要了，有点画蛇添足。
风格，才是这类影片的出头之日。否则就是鸡肋，食之无味，弃之可惜。
预期过高，比第一部差太多，动作场面设计成这样毫无可看性，韩国犯罪片里属于不及格了，都结束了还没高潮，马东锡也变成流量
小场景反转剧情片，老戏骨马克·里朗斯真是稳啊。
拍得没太多出彩的地方
不会编故事的剪裁师不是好杀手；救命……我竟然没认出男主还演过全男版第十二夜的Olivia小姐（这谁能想到！不愧是腐国男演员
各色反派轮番出场揍人挨揍如同NPC，无一有前作光头东北混子般的人物张力。插科打诨的桥段依然让人怀念港片。
有精致感的电影，真真假假之间马克里朗斯演技真是神了；在疫情期行业萎靡的电影小年里都可以锁定一个个人的年度十佳影片了。
优雅太他妈优雅了，有细节有反转，复杂的超立方体的设计。时间会减弱贴切感觉，无聊的时光总会有些快乐的事情。一般来说，裁缝很像一个仆人，被认为是隐形的，所以他的客户在他面前畅所欲言也不会感到不安。
好老板就是员工想涨薪就干掉了两个帮派发了一箱钱给员工让她去环游世界玩儿
优雅精致的戏幕，情节环环相扣层层递进，但是整个剧情都显得勉强和刻意
Mark Rylance的台词太舒服了。话剧感浓厚，单一场景里飙戏也高潮迭起。
优雅精致的戏幕，情节环环相扣层层递进，但是整个剧情都显得勉强和刻意
马东锡简直就是韩国吴京，虽然孙锡久帅得掉渣，但是最后车内被打还是看得好爽。韩国拍这种电影完全驾轻就熟
装出来的精致也是精致，从开头一直装到结尾，也一直吸引人看到结尾，装就对了，不完美就对了。
非常棒的舞台剧，有悬疑有反转，Mark Rylance演技绝赞。
既然科幻片可以拍成聊天肥皂剧形式，为何黑帮片不能拍成个话剧呢，有几段演得还挺有张力的……但是这种事先张扬的悬疑故事，要把观众一直期待的给力桥段拍好，是挺难的，这个片故事还是略矫情，反转也不是太自然
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