This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.
comments from imdb:
This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.
This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.
The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.
I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.
15 out of 10 and then some. 10/10
Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.
And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.
The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".
Intelligent, emotional, tragic and real, this is an absolute gem. 9/10
一般般吧，最后策反那里还有点张力，后面复仇我是确实没看懂，可能配角不死就对不起男主？
看三分钟解说都嫌长，这种一句话剧情没必故弄玄虚拍出来。
如果男主不执意看守黄金
从开头就猜到了结尾。男主过于简单善良。要金子不要命。
发生于某时某地荒漠中的故事，基本上属于独角戏。如果是个好演员来演，再加上一个老练一些的导演，影片还会是有可观性的。现在的演员太嫩了，又是一个人见人欺的样子，这样的荒野片就很难吸引人了。影片的结尾还不错，结束得干脆利落，不拖泥带水。
其他都不错，就是剧情太垃，看完毫无波澜，惊悚不惊悚，深度没深度，更是被男主作死行为弄懵逼了
承包商的行为和现实如出一辙，开发疫苗然后投放病毒以拯救者的姿态把钱和名都挣了，影片有谍影重重的影子大家都是孤军奋战
每个角色都好像是工具人一样 唯一的亮点就是那个安全屋的特工了
男主最终被见死不救的同伴耗死，同伴也没有好下场，被女人的姐姐射穿心脏，拿不到黄金
内部人坑内部人，杀熟，一切为了利益，男主还是很帅的，进入主题慢了点，后面套路了点，美国大兵身体素质都这么牛么，那么重伤打个强行针就能继续飞檐走壁
A manhood movie. 人性的弱点
这人性刻画的还行，就是为啥不敲一点下来先走
这废腿看的好累，最后是不是没钱拍下去了，草草收场
金子，无论你看或者不看，都在那里，不悲不喜。可悲可笑的是人类。
看着也不是垃圾电影，发现还有基弗·萨瑟兰的客串，没有《24》好看，也不会差太远吧。结果，就是个无厘头老美自相残杀的无聊电影。看着打瞌睡，要动作没动作，要紧张没紧张，要悬疑没悬疑。最后两人突袭大boss更好笑，送死麽？
所以，电影就是一个寓言故事。包括那辆飞机，肯定不是带着黄金掉到这里的，如果是带着黄金不会是那么一大块；所以飞机也可能是之前企图来夺走黄金的人。至于那对用弓箭的姐妹，应该说她们也是守护黄金的当地人。故事不是简单的螳螂捕蝉，黄雀在后；而是人性的贪婪执念，还有财富的力量（其实是它拥有人类，绝对不是人类拥有它）。
铺垫太长，看完还是云里雾里。全员大情种，为了自己的家庭破坏别人的家庭——这不会就叫男人的担当吧？xs
似乎一些描述非常精准映射了自己，但实际它往往模糊笼统，以致普遍适用，称为巴纳姆效应
为了金子，司机眼睁睁看着乘客被野狗吃掉，最后司机也被射杀。希区柯克式
在巨大的利益诱惑面前，人是什么事都可能做得出来啊。
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